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Shu Qi
ANEKA MOVIE merupakan website hiburan yang menyajikan streaming film atau download movie gratis bersubtitle Indonesia. Perlu diketahui, film-film yang terdapat pada web ini didapat dari web pencarian di internet. Feb 15, 2021 Hong Kong was once the Hollywood of the East. At its peak, around the early 90s, the local movie industry was the first in the world – in terms of per capita production and the second-largest.
Raped by an Angel 3: Sexual Fantasy of the Chief Executive. The third instalment of the infamous Category III sleaze series, and the strangest yet.
Measurements (B-W-H): 34/24/35
Born Apr 16, 1976, Shu Qi's original name is Lin Lihui and her English name is Shu Fanny. Shu Qi is the most successful actress who transferred from a Category III films actress to a mainstream movies actress. More importantly, she has won a variety of awards, including Best Supporting Actress and Best Newcomer in the 16th Hong Kong Film Awards, Best Supporting Actress in the 35th Golden Horse Award and Best Actress in the 42nd Golden Horse Award. Besides, her mouth was chosen by E! as the most sexy mouth in the world.
She began in the softcore porn modeling industry, appearing on the cover of Penthouse Hong Kong in the February 1995 issue and the Chinese edition of Playboy magazine. She starred in some Category III films by the famous Hong Kong producer Manfred Wong, includingSex & Zen IIandRed Light Districtin 1996.
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Although she is very successful with her career, her love life is still empty. She didn't find a new boyfriend after her broke up with the famous actor Leon Lai Ming several years ago.
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Ever since the 70s, Hong Kong cinema has attracted an enthusiastic following in the west; think of the martial arts productions of Shaw Brothers, or the action, fantasy and horror films of John Woo, Tsui Hark and Ringo Lam. But from 1988 onwards, another, less reputable type of film created a stir in the then-British colony: exploitation films awash with outrageous quantities of sex, violence and amorality. Sensational, explicit, politically incorrect and raising a middle finger to the very idea of good taste, these films were slapped with a Category III rating. Rather than deterring the public, however, this label quickly became the guarantee of a certain type of taboo-busting spectacle that thrilled audiences across Asia while remaining largely unknown in the west. Now, with an unfiltered selection of eight titles, Offscreen takes you back to the glory days of Category III, with a documentary and conference to provide social, historical and cultural context.